| Jazz dancing is a worse evil than the saloon and scarlet vice. Abolish jazz music. The road to hell is too often paved with jazz steps! Those moaning saxophones and the rest of the instruments with their broken jerky rhythm make a purely sensual appeal. They call out to the low and rowdy instinct. From a 1921 The Ladies'Home Journal article "The Jazz Path Of Degradation’ |

| Congressman T.S. McMillan of South Carolina shows Misses Sylvia Clavans and Ruth Bennett how to do the ‘Charleston’, with the U.S. Capitol building in the background. |
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| CHARLESTON by Paul Whiteman & HIs Orchestra James P. Johnson was the house pianist at the Harlem night club called The Jungle. In 1913 he wrote this song for the 'geechies" (Charleston natives) who frequented the club and taylored the rhythm to match their distinctive dance steps. Johnson called it 'doin' the Charleston.' Paul Whiteman was a white band leader who helped bring the Harlem dance music into the white culture. This version of Johnson's song was a HUGE hit. |
| No dance epitomizes the spirit of the 1920's more than the Charleston. The Charleston was introduced to the public in the Ziegfield Follies of 1923 by the all black cast of a show called "Runnin' Wild." One of it's features songs was James P. Johnson's 'Charleston'. Almost immediately, the Charleston became immensely popular all across America. Tin Pan Alley churned out dozens of new Charleston tunes. Dance halls and hotels held so many Charleston contests that hospitals reported increasing numbers of patients who complained of "Charleston knee." Joan Crawford made her first big splash as a flapper who won numerous Charleston contests. Many ballrooms tried to discourage the frenetic Charleston dance all together,or they posted signs that read "PCQ" - "Please Charleston Quietly." |
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| T h e D a n c e T h a t D e f i n e d a G e n e r a t i o n . |

| All material © Mark R. Jones, 2008 |
